We all know there is a difference between what is real and how we want it to be. Authoring books is my latest attempt to make this distinction. By using imagery and personification to present complex ideas, I try to make them come alive in a more real way and at the same time, make reading easier.
We all know there is a difference between what is real and how we want it to be. If a book is about a real person, it is usually not using imagery. If a book is about an imaginary person, then it is usually using imagery.
I think the biggest problem for authors is that we all know that we want to be good at writing, but we don’t know the difference between our own self-awareness and a book’s. We all want to be good at literature, but do we know the difference between the way we want to be and the way we actually are? That’s what I aim to begin to explain in this book.
In this book, I will tell you how to become more self-aware, and therefore better at writing.
For the most part, book authors are using imagery to make their characters more realistic. We all know that we want to be good at writing, but we dont know the difference between our own self-awareness and a books. We all want to be good at literature, but do we know the difference between the way we want to be and the way we actually are Thats what I aim to begin to explain in this book.
In this book, I will show you how not to use personification in your writing. It is a common plot device that we all use to make our characters more realistic and realistic characters. In short, we want to see ourselves in the way our characters believe we are. However, in reality, we do not, so we need to have a little bit of fun at our expense until we find that part of ourselves we are missing.
I’m a huge fan of personification, but we have all seen it fail miserably. Here’s the problem. It’s easy to picture a character’s thoughts, feelings, and actions on screen, but we tend to take them too literally. For example, a book might state, “I was in the restaurant and saw a man being served food. I rushed over and asked him how it tasted. He responded with, ‘It tastes good.
The problem is that we all tend to take the actions of characters too literally. The only way to really know if what someone is thinking and feeling is how someone else would feel is to ask them directly. Otherwise, it’s hard to get a feel for the author’s mind and feel good about what they’re saying.
It’s just as bad, because the characters can be so much more than their actions can say. If you take the actions an author is taking for granted, you end up having a hard time understanding why they’re doing it. Because when you see a person taking a drink out of a glass and they’re drinking from a bottle, it’s hard to know why they’re doing it.
Of course, there are those times where you might be able to know theyre doing it for an inanimate object (like a lamp), but in general its hard to say why. So when you can feel the author in their actions, its easy to be able to know why.
